'Yeah, I wanna dance to me me me me me me' internet drek, or 'warholian', and reflective of a braindead online culture? Charli says its both listening to me me as you to 'we' as me the me in the mirrors dancing with them selves 'when you're in the mirror you're just looking at me' first-, second-, third- person really imaginary inter-subjective you-me-they alive in headphone selfie space 'by way of hip-hop' circulating lip synced clips 'fucking is the other' enacted and activated reflecting, refracting, transforming, cannibalising, defamiliarising, fleeing, hyperembodying spasm and burnout, highs and lows, deafening noise and ambient drift the oddly ubiquitous audio-cultural work of selfing on the internet...
Titanium playthrough
This collage poem. An analysis of sorts. Ghost town and haunted love. Musicological and social science analysis are unhelpful here i.e. trying to translate sonic content into a system. First-person self-referential writing won't cut it either, because such an approach produces reductive fictions of experience, and makes for boring prose. Let's go for something more and less faithful to the personal... poetics as an excavation of experience (sonic, online, social), overturning of personhood via internalising black-hole focus. Poetics sets in motion meaning-making as play as meaning-making... What do I hear? 'Titanium (Ti) is a lightweight, high-strength, and highly corrosion-resistant metal with atomic number 22, widely used in aerospace, medical implants, and automotive industries.' X listened back to this track via headphones many times, alone at home and on the move, and each time, this time, being no exception, the digital, sonic space-form and spatial textures initi...
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